Opening Friday, March 13, 2015 at 7 pm Exhibition March 14 – June 20, 2015 Open during Gallery Weekend April 30, May 1-2, 2015 2-7 pm open by Appointment on +49 178 3298107 or +49 152 52076430
Opening Friday, January 30, 2015 at 7 pm Exhibition January 31 – March 7, 2015 open by Appointment on +49 178 3298106 od. 107
Refugees‘ Library
Marina Naprushkina (court drawings), freelance translators in seven languages: Tobias Weihmann, Nele Van den Berghe, Leaticia Kossligk, Markus Baathe, David Ey, Anna Toczyska, Charlotte Stromberg, Judith Geffert, Sara Dutch, Sarah Neis, Josie Nguessi, Anouk De Bast, Bojana Perišić, Elvira Veselinović, Ruth Altenhofer, Inara Gabdurakhmanova Online archives: www.refugeeslibrary.wordpress.com
The booklets of the “Refugees’ Library” (2013-2014) are a documentation of the judicial processes of refugees. The personal fates of the plaintiffs are used to depict worldwide conflicts and reasons for flight. “Refugees’ Library” is a collaborative project. Several people are working on the translations of the court books into the languages of the refugees. The main intention of the project is to make the library available to refugees as an information tool to prepare them for their own processes.
Holger Wüst Venedig Refugee/Non-Citizen Protest Camp – Against borders, nations and all that economic shit. A picture as a film.
Die Miniaturen aus Ravensbrück und der sterbende Soldat von Les Milles
Opening Friday, October 24, 2014 at 7 pm Exhibition 25. October 25 – November 29, 2014 open by Appointment on +49 178 3298106 or +49 178 3298107
Closing event: November 29 at 6 pm ab 18 Uhr, Screening at 8 pm Zement, 2014, a short film by Bettina Nürnberg and Dirk Peuker Übertragung, 2007, a film by Harun Farocki, Idea: Antje Ehmann followed by a discussion.
The Miniatures of Ravensbruck
In recent years, Antje Majewski’s paintings and videos have
questioned the social significance and use of objects, specifically in
the context of museums. In 2013 she painted a series of works based on
miniature objects from the collection of the Memorial Museum
Ravensbrück. These miniatures had been made in secret by women of
different nationalities during their time of imprisonment in the
concentration camp Ravensbrück. Many of the miniature objects
were carved out of plastic toothbrushes and show amongst others tiny
animals or motives like clover leaves or horse shoes.
Half of the revenues of the paintings help to finance restauration
work and 3D-scans of the original objects by the Memorial Museum
Ravensbrück. The other half is donated to „STAY! Düsseldorfer
Flüchtlingsinitiative“, a NGO organisation that helps refugees who seek
asylum in Germany.
„In Maya Schweizers Video „A Memorial, A Synagogue, A Bridge and A
Church“ wird ein Platz zur Laborsituation, die Künstlerin zur minutiösen
Beobachterin alltäglicher Verhältnisse. Wo sind wir? Der Ort ist der
Fischplatz, Rybné námestie, in Bratislava. Dort steht „The Holocaust
Monument“, eine fünf Meter hohe Bronzestatue des slowakischen Künstlers
Milan Lukáč. Sie wurde 1996/97 an der Stelle der alten Synagoge
aufgestellt. Von der detailreichen Beobachtung der Materialien, aus
denen die Skulptur und der Platz bestehen, führt Maya Schweizer den
Betrachter filmisch um den Ort. Die merkwürdigen Überlagerungen der
Epochen und deren Gestaltungsparameter an diesem Platz wären ohne die
Zerstörungen des 2. Weltkrieges, aber auch ohne die Erfindung des
Automobils, sicher völlig anders ausgefallen. Die Zeit nach 1945 wirkt
hier exemplarisch wie ein Übergriff der Nachkriegsmoderne. Sie
resultiert in einer nicht wiedergutzumachenden Versehrtheit, die seitdem
diesen Ort beherrscht und jeden seiner Bestandteile, das Denkmal, die
Synagoge, die Brücke und die Kirche, betrifft.“
As part of the Berlin Project Space Festival after the butcher will present „FlipFlop Dancefloor” on Saturday, August 23rd. Therefore artist Bianca Rampas will be covering the entire space’s floor with the used-up dance floor from the Berlin State Ballet, which she will transform bit by bit into flip-flop shoes, that eagerly await to be carried out into the world.
Opening Friday, March 14, 2014, at 7pm Exhibition March 15 – April 19, 2014
V like „Victory“ – perhaps – V like Viktoria-Kiez in Berlin-Lichtenberg …
The exhibition title V refers to the inclined window position and the striking shop window facade of the Kunstraum after the butcher. Opposite it is an equally sloping wall, installed as an intervention in the interior. It forms the counterpart to the window surface in the interior and creates the V. The wall is part of an installation and at the same time a display for other exhibits. It obstructs the view into the interior and makes access to the exhibition space more difficult. However, room lighting, small glimpses and two pictures in the shop window refer to the interior.
Opening Friday, January 24, 2014 at 7 pm Exhibition Januar 25 – March 1, 2014 open by Appointment on +49 179 947 30 40 or +49 179 663 69 79
Workshop „rethink, reclaim & cut apart“ with Jutta Eberhard on March 1, 2014 from 1-6 pm at After the Butcher. application and contact: +49 160 96 200 688
Niina Lehtonen Braun – ohne Titel, 2014, Aquarell auf Papier
…otherwise you’ll catch your death…PDF by Anita Seppä, Professor of Artistic Research, Helsini Art University
Jutta Eberhard – obj. 13, 2013, verschiedene Textilien
Was, wenn ich nicht dazu gehöre? oder „I would prefer not to“ (Bartleby, der Schreiber) About the works of Jutta Eberhard by Nora Mayr PDF
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