All posts by Redaktion

atb #47 | Immer noch allein, Karriereseife?

Vivi Abelson, Nadja Abt, Carl Berzow, Ellie de Verdier, Dominik Gajarský, Marius Glauer, Mathiew Greenfield, Cornelia Herfurtner, Annika Högner, Fred Laur, Anastasia Mandel, John MacLean, Jana Mendelski, Lou Mouw, Johannes Ernst Nowak, Anton Nesretiep, Sarah Rosengarten, Johanna Stock, Johanna Tauber, Michel Wagenschütz, Franziska Wildt, Lisa Woite 

Opening Friday, December 7, 2013 from 7pm

Exhibition Dezember 8, 2013 -January 11, 2014
open by Appointment on 0179-9473040

Immer noch allein, Karriereseife?

Adopting this delicately charged question as its point of departure, Klasse Josephine Pryde / UdK, Berlin investigated ingredients of masculinity, in order to collectively produce some hand-crafted soap. The investigation of masculinity followed on from an investigation of feminism, which followed on from an investigation of infinity, which will by definition never cease.

Soap: I abject myself. In the very moment I spit, I establish myself. What am I?

Rectum: You might be anything that is, judging from what you say. But the way you smile, complacently, effervescently, bubbling away…I would guess you are a detergent, a dissolver of some sort. An inverted borderliner. Aligning to the rules.

Soap: Fuck, Rectum, it’s you!

To watch Video:

Masters of the Territory

https://vimeo.com/84755520
password: AtB

https://vimeo.com/106258257
password: atb

atb #46 | Scratching

SCRATCHING

A Project by Martin Zawadzki

Opening Friday, Oktober 25, 2013 from 19 pm
Video- and Audio-Liveperformance with
Ursula Scherrer, New York, and Moritz Fehr, Berlin,
at 20:00 pm and 21:30 pm

Exhibition October 25 – November 23, 2013

Text by Clemens Kruemmel SCRATCHING

scratching-kratzen.de | zzzfilm.com | after-the-butcher.de

Gefördert mit Mitteln des Senats
für kulturelle Angelegenheiten Berlin

atb #45 | The New Flesh

Monika Baer, Michael Dougan, Robert Estermann, Gregory Maass & Nayoungim, Felix Reidenbach, Alexander Roob, Dierk Schmidt, Xiaopeng Zhou

with Monika Baer, Michael Dougan, Robert Estermann, Gregory Maass & Nayoungim, Felix Reidenbach, Alexander Roob, Dierk Schmidt, Xiaopeng Zhou  
Eine Ausstellung des Melton Prior Instituts für Reportagezeichnung, Düsseldorf, zusammengestellt von Clemens Krümmel    

Opening Friday, September 13, 2013 at 7pm
Exhibition September 13 – October 18, 2013     

after the butcher · Spittastraße 25 · 10317 Berlin  

open by Appointment on +49 179 947 3040 or +49 179 6636979  
During Berlin Art Week: 17.–22.9.2013 open 14–19 pm

Gefördert mit Mitteln der STIFTUNG KUNSTFONDS BONN
after-the-butcher.de  ·  meltonpriorinstitut.org

atb #42 | Make Efficiency a Pleasure

Romana Schmalisch

Exhibition February 25 – April 6, 2013
open by Appointment on ++49.179.6636 979 or ++49.163.1618993

Exercise 30. Lifting and rolling with heavier tyre

Preparation: Tyre lying at right side close to the stance. Feet together. Bending of knees and grip. Lifting of tyre to vertical position with right step to right (next to tyre), left foot closes. Rolling of tyre closely around the body to other side, gripping with = left hand. Right step to the right, left leg closing. And placing tyre on ground knees bending. Repeat same to the left.
Command: grip – step – close – roll – step – close – place – stand.
Observe: that you are always near the tyre. That you perform the movement as quickly as possible. That your legs and steps are very mobile.

[The Laban=96Lawerence Tyresoles Training Manual, 19th May 1942]

atb #40 | Thinking Like A Stone

Florian Zeyfang, Clemens Krümmel, Julie Doucet, Romana Schmalisch, Moritz Fehr

Florian Zeyfang : Clemens Krümmel : Guests
Thinking Like A Stone
with Julie Doucet, Romana Schmalisch, Moritz Fehr

Opening Friday, November 16, 2012, 7 pm
Exhibition November 17 – Dezember 30, 2012
open by appointment on +49(0)179.947 3040

Filmshow & Talk
Friday, Dezember 14, 7 pm
“Nowhere Man”, Japan 1991, Director: Naoto Takenaka 

«The pebble is not an easy thing to define. If we content ourselves with a simple description, we can say first of all that it is a form or a state between a rock and a stone. But this proposition implies a notion of stone that must be justified. I don’t want to be accused here of going back even further than the Flood.» Francis Ponge

atb #39 | CIVIC VIRTUE Grand Tour

Geirthrudur Finnbogadottir Hjorvar, Ruchama Noorda, Gijsbert Wouter Wahl, Brian McKenna, Kinga Kielczynska

CIVIC VIRTUE (a neoclassical revival),
in collaboration with Kinga Kielczynska,
present their recent work on the topic of divination, pseudo-sciences and self-fulfilling prophesies. 

Opening Friday, September, 28, 2012, ab 19 Uhr
Performance at 9 pm

Exhibition September 29 – November 3, 2012
open by appointment on +49(0)179.947 3040

Reading the entrails of sacrificial animals was an important religious duty performed by the priests of antiquity. From the level of personal relations to matters of state and conquest, the interpretation of chance embodied an appeal to the authority of the gods. CIVIC VIRTUE asserts that prophecy is a worthy course of investigation, for an understanding of a past which may or may not have already happened, and for an insight into what we may expect from a world yet unborn. Representing the architecture of temples, the ambiguity of oracles and the underlying structures within games of chance, CIVIC VIRTUE explores the potential of narrative evolution in space, the augury of modern economics, and the problems of repeatability.

Participating artists:
Geirthrudur Finnbogadottir Hjorvar
Ruchama Noorda
Gijsbert Wouter Wahl
Brian McKenna
Kinga Kielczynska

Based in Amsterdam, CIVIC VIRTUE was established in 2010 around a shared interest in social communities who organize themselves around symbols of power and virtue, as well as the continual re-emergence of these signs over the course of history. CIVIC VIRTUE seeks to place these symbols and allegories beyond any specific historical, political or social appropriation. As a platform for research and performance, CIVIC VIRTUE are currently on their Grand Tour around Europe, through the entrails of history and past important monuments of revival.